Some of the challenges of photographing the interior of my acquired kaleidoscopes included having to learn how to only capture the interior (and not the surrounding floor and couch), as well as learning how to avoid air bubbles, which, as it turns out, are very noticeable in some scopes cells, and not noticeable at all in others. I also had to learn how to get the entire mandala into the viewfinder.
My birthday was coming up. I had been looking forward to my birthday because it was not only accompanied by the promise of wisdom which comes with age, but with cards stuffed with birthday money. And I knew what I was going to spend said money on: a new camera.
Now is as good of a time as any to explain the two types of mirror systems the scopes in my bequeathed collection contained. Most used a two-mirror system. When you look into a two-mirror scope, the image is that of a complete circle, or mandala. When you look into a scope that uses a three-mirror system, the image is infinite. This, of course, is a very elementary description. There is alot information on the web if you want to understand the science behind the art of kaleidoscope making.
Personally, I have come to prefer the three-mirrored scopes. Well, my eye does, anyway. Mandalas are more static. Ok, that’s not entirely true. If the objects in the cell are immersed in oil, they are always moving and therefore not static. But it’s harder to create movement in a photograph with the uniformity that comes with a mandala image. Movement or not, the photo has no shortage of colour and complexities. As a photographer who’s eye is always looking for “the shot”, however, I need more visual inconsistencies to work with in order to have good composition. The most useful lesson I learned from taking photographs of two-mirror scopes is the strength negative space gives the subject. I wanted my walls to have a few mandalas on them, so I worked at it and quickly found success. With the right tools, it became very easy.
I made every effort to find out who made this kaleidoscope. I sent photos of the exterior to other members of the BKS, but no one could tell me. I have since given the kaleidoscope away, but it certainly did make for some exquisite photos which now adorn my living room walls.