Carolyn who? Carolyn Bennett.
Carolyn Bennett is a kaleidoscope artist who I got in contact with very early in my photography days. There were two of her scopes in my aunt’s collection, and I ordered another, Nadelstern, aptly named after Paula Nadelstern, the incredibly talented artist behind exquisitely designed quilts that are serious works of art. Carolyn’s scope certainly didn’t disappoint. Another of her scopes in the collection had all cream and brown stones and created bouquet images which was very pleasing to the eye.
So, why am I writing about Carolyn Bennett? It is important for me to include her in this story of my journey because it was her scope with earth-toned stones that marked my kairotic moment as a contemporary artist. I looked through my viewfinder, and when I saw the stones in the cell, I didn’t see fractal images suspended in oil. I saw composition; I saw still life. It was at that moment that my eye sharpened to “the shot”. I took it and stopped, not unlike a fashion photographer who hands the camera to her assistant and confidently walks off the set because she knows she just got the cover page.
Am I saying that the photo is up there with Annie Leibovitz’s work? Absolutely not. That’s not the point. The point is that this photo of Carolyn Bennett’s kaleidoscope was the first step on a long road in establishing a relationship I never thought possible between a camera and a kaleidoscope, all in an effort to produce contemporary art photography as I’ve never seen it before. Was I excited? You bet I was. The image itself isn’t necessarily outstanding, but the drive it created inside me was beyond outstanding, and it’s a drive that continues to this day, pushing me to produce photographs of the interior of kaleidoscopes at a calibre beyond what anyone had done or thought possible.
Oh, and I insisted that if I was going to go forward with this, the final product had to be achieved without the use of digital editing programs.