I made the choice several years ago to keep my photography as “true” as possible and not edit it in any way beyond its development. That doesn’t mean, however, that I haven’t slid my files into Photoshop in order to play around with them from time to time. Every once in a while I come across an image that is well below the standard of what I’m looking for ‘as is’, but giving one command in Photoshop — in this case, replacing the colour black with grey — results in a completely different and incredibly unique image.
I’ve never hung these images on the walls in our home because I see them as counterfeit. They’ve been tampered with, computer generated (even if only in the slightest way), and therefore no longer a true representation of what I saw through my lens. It doesn’t mean that it ceases being art, or even pleasing art. But to me, it’s less photography and more modern pop art.
There was a time when I had a Facebook account (and Instagram, and Twitter, and…) and I would post photos of the edited images and the response was always positive. The public would always tell me what they see, and naturally they all had different interpretations. But when I bring my work to the gallery to be framed, the vote is always unanimous: the original photograph is strongest because the viewer immediately understands it isn’t computer generated, forcing them to wonder how on earth it was possible to produce.
I have a large collection of edited images now. Some of them are pretty surreal. The only thing I’ve changed is the colour of the background and in these examples, added a vignette. I haven’t used my mouse or a computer pen to paint or feather the colours and outline of the image.
I’ve included two of the more boring photos for your judgement. It gives you an idea of the fun I have when I decide not to play by my rules.